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Kaki King: Queen of Guitar
Musician opened for Kebí Moí Friday, Saturday at The Ark

By Luke Woods / Staff Writer, Monday, March 22, 2004

At 23, guitarist Kaki King is quickly becoming a queen of strings.

King is currently on tour opening up for blues man Kebí Moí and his band. They played The Ark in Ann Arbor Friday and Saturday. I caught the Friday show.

King walked briskly into the room and sat down in a chair set center stage. Someone in the audience shouted, ìHey, your not Kebí.î

She responded, ìYouíre going to have to get through me first.î

She kicked off her 40-minute set with two sunny songs that alluded to her classical guitar background. King utilized her long nails to pick and strum, alternating between sweet and slightly crooked sounds. Both were pleasing to the ear.

The Atlanta native caught The Arkís sold-out crowd by surprise with her third tune, which simply rocked out. Using techniques similar to present-day players like Ani DiFranco and Keller Williams, King launched into a groove, simultaneously playing bass lines, neck-tapping out a melody and slapping her guitarís body like a drum.

She seamlessly shifted from classical to funk to blues to world beat, never singing but telling stories nonetheless. Though King did not offer any vocal accompaniment, she did speak up between songs, sharing colorful tales about an old blues guitarist back home in Georgia, the unique instruments Afghani musicians play and her inability to find somewhere she could buy a milkshake in Ann Arbor. By the end of her 40 minutes, the same people who said ìYouíre not Kebíî were asking King what her name was.


King's playing Friday nightñgracefully altering volume, style, technique and tone at unexpected momentsñis indicative of the sounds on her sole album ìEverybody Loves Youî on the Velour Music Group label. She calls the record ìa compilation of different musical thoughts I had while trying to mess up everyoneís idea of how the guitar is played.î

The songs on ìEverybody Loves Youî were written between 1999 and 2002 while King was pursuing a humanities degree at NYU. When she wasnít in class, she was either playing in the subways or small clubs. Her experiences in New York endeared her to the city, and she decided to move there permanently.

That decision proved to be a good one, as she soon was getting gigs at renowned venues like the Knitting Factory and Irving Plaza. King has played with musicians like Soulive, Robert Randolph and Tony Levin.

She has gained respect from peers, critics and fans and has earned herself a busy spring and summer. King recently signed with Epic and will head to the studio in April. Her second album will be released some time this summer, and she will spend the warm months touring in its support, making stops at mega festivals like Bonnaroo and High Sierra.
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